Hippolytus, Refutatio V.7.22-30: Osiris, Hermes, and Esaldaios
Refutatio omnium haeresium · the Naassene report
Ἔλεγχος κατὰ πασῶν αἱρέσεων
This edition presents the verbatim Hebrew of the passage beside a fresh English rendering and a critical apparatus. It is a provisional scholarly draft, released openly for correction and not yet reviewed by a credentialed editor.
The apparatus carries a running commentary, notes on the controlled vocabulary and the rendering chosen for each term, any doctrinally-live ambiguity preserved with both readings, and cross-references to the lexicon. The Hebrew is reproduced verbatim from the Hebrew Wikisource transcription; the standard modern English translation (Kaplan, 1979) is under copyright.
And these are nothing else than the shame of Osiris, snatched away and sought by the seven-robed and black-clad one. And they say Osiris is water. And nature is seven-robed, having about herself and being arrayed in seven ethereal robes — for so they call the wandering stars, speaking allegorically and calling them ethereal † as — and she, the changeable coming-to-be, is displayed as the creation transformed by the unspeakable and unimaginable and unthinkable and formless.
And this, he says, is what is said in the scripture: “seven times the righteous shall fall and shall rise again.” For these fallings, he says, are the changes of the stars, moved by the one who moves all things.
They speak, then, concerning the substance of the seed, which is the cause of all things that come to be, that it is none of these things, but generates and makes all the things that come to be, saying thus: “I become what I will, and I am what I am.” For this reason, he says, that which moves all things is itself unmoved; for it remains what it is, making all things, and becomes none of the things that come to be.
He says that this alone is good, and that what is said by the Saviour was said concerning it: “Why do you call me good? One is good, my Father who is in the heavens, who makes his sun rise upon just and unjust and rains upon holy and sinners.” And who the holy are upon whom he rains, and who the sinners upon whom the same one rains, we shall say later, with the rest.
And this, they say, is the great and hidden and unknown mystery among the Egyptians, veiled and unveiled. For there is no temple, he says, before whose entrance the hidden thing does not stand naked, looking from below upward and crowned with all its own fruits of the things that come to be.
And they say that such a thing stands not only in the holiest temples before the images, but also for the recognition of all — as it were a light <not> under the bushel but set upon the lampstand, a proclamation proclaimed upon the housetops, in all roads and all streets and beside the houses themselves, set before them as a boundary and limit of the house. And this is the good spoken of by all; for they call it the good-bearer, saying what they do not understand. And the Greeks, having received this mystic thing from the Egyptians, keep it to this day.
We see, at any rate, he says, that the Hermae among them are honoured in such a form. And the Cyllenians, honouring it especially * * * word. For he says: Hermes is the word. He, being the interpreter and craftsman of the things that are at once coming to be and shall yet be, stands honoured among them, marked with some such form, which is the shame of a man, having its impulse from the things below toward the things above.
And that this one — that is, this sort of Hermes — is a leader of souls, he says, and a conductor of souls and the cause of souls, does not escape even the poets of the nations, who speak thus: “And Cyllenian Hermes called forth the souls of the men who were suitors” — not the suitors of Penelope, he says, you wretches, but of those who have been woken and have remembered, “from what honour and how great a length of prosperity”, that is, from the blessed Man above, or First Man, or Adamas, as it seems to them, they were brought down here into the moulded thing of clay, so that they might be enslaved to the craftsman of this creation, ESALDAIOS, a fiery god, fourth in number.
This edition sets the verbatim original-language text beside a fresh English rendering and a critical apparatus: a running commentary on the passage, notes on the controlled vocabulary and the rendering chosen for each term, and cross-references to the lexicon and to related sections. It is a provisional scholarly draft, released openly for correction and not yet reviewed by a credentialed editor.