canonical jewish mysticism Aramaic Hebrew

Idra אדרא

threshing-floor / assembly: the named ritual gatherings of R. Shimon and his circle in the Zohar at which the most esoteric face-to-face teachings on the divine countenances (partzufim) are disclosed.

Idra (אדרא, Aramaic, “threshing floor”) names the ritual assembly scene in the Zohar at which R. Shimon bar Yochai gathers his closest companions and delivers the most esoterically charged teachings on the inner divine life. Two principal Idra scenes are preserved: the Idra Rabba (“Great Assembly,” Zohar III, 127b-145a) and the Idra Zuta (“Lesser Assembly,” Zohar III, 287b-296b). The Idra Zuta is the death-scene of R. Shimon; the Idra Rabba is the climactic teaching scene during his lifetime. Three of the Idra Rabba’s ten companions, the narrative reports, die during the teaching itself, overcome by the disclosure.

The Idra layer is the Zohar’s most concentrated articulation of the doctrine of the partzufim, the divine countenances. Arikh Anpin (the “Long Face,” patience and mercy), Zeir Anpin (the “Short Face,” judgment and discrimination), Abba (Father) and Imma (Mother), and Nukva (the Female) are described in detail, organ by organ, hair by hair. The discourse uses the Song of Songs’s rhetoric of the divine beloved’s body and applies it to the inner anatomy of the godhead. The anthropomorphism is intentional, technically managed, and editorially distinct from the Heikhalot Shi’ur Qomah discourse: the Idra divine body is not a measurement but a symbolic anatomy, each feature corresponding to a specifiable theological function.

The Idra Rabba’s content was central to the Lurianic recoding three centuries later; the Lurianic partzufim system is the Idra material rearticulated within the tzimtzum-shevirah-tikkun frame. The Lurianic doctrine of the behinot within each partzuf, and the Cordoveran intermediate doctrine of behinot within each sefira, both depend on the Idra material as their textual foundation.

Etymology

Aramaic idra (אדרא), “threshing floor” — by metonymy, the level open space where village gatherings, including legal assemblies, take place. The Zohar uses the term both for the literal threshing-floor at which R. Shimon and companions sit in the narrative frame and for the figurative assembly-as-event.

Primary sources

  • Zohar III, 127b-145a (Idra Rabba) — the great assembly during R. Shimon’s lifetime; the partzuf doctrine in extended form.
  • Zohar III, 287b-296b (Idra Zuta) — R. Shimon’s death-scene; the final teaching, framed by the hilula (mystical wedding-feast).
  • Sifra di-Tzeniuta — the brief, dense kabbalistic tract whose Idra material expands and interprets.

Scholarly literature

  • Yehuda Liebes, Studies in the Zohar (SUNY 1993): chapters on the Idra-circle and the messianic-companions doctrine.
  • Daniel C. Matt, The Zohar: Pritzker Edition vol. 8 (Stanford 2014): the critical Aramaic Idra material with extensive footnote apparatus.
  • Melila Hellner-Eshed, A River Flows from Eden (Stanford 2009): the literary and experiential analysis of the Idrot.
  • Boaz Huss, The Zohar: Reception and Impact (Littman 2016): the centrality of the Idra material in the Zohar’s reception history.
Tradition
jewish mysticism
Language
Aramaic
Script
Hebrew
Last revised
2026-05-02

Hekhal Editorial

Cite this page

Stable URLs are part of the editorial commitment. This address will not change.

Hekhal Editorial. "Idra." Hekhal: An Open Reference for Esoteric Tradition. Last modified May 2, 2026. https://hekhal.org/lexicon/idra.